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DAVID OFEK Film Director & Scriptwriter |
| IcExcellence chosen artist since 2006 |
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"Ofek's humane and compassionate filmmaking, which glorifies the love of man, is unquestionably singular and has a tremendous impact on his fellow moviemakers. I view Ofek as one of the most compelling, pioneering and authentic of all the filmmakers currently working in Israel."
Renen Schorr, Founding Director, The Sam Spiegel Film and Television School
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David Ofek, born in 1968, grew up in the town of Ramat Gan, Israel. Besides being interested in mathematics and philosophy, he dreamed of making movies, and spent most of his free time during high school watching the great masterpieces at the Tel Aviv "Cinamateque."
After graduating from the Sam Spiegel Film & Television School in Jerusalem in 1993, Ofek continued devoting his talent and energy to creating movies that depict unique Israeli scenes and dilemmas. Always straddling a fine line between documentary and feature film, he keeps on challenging the obvious: from his first short film, "Home," the story of his family during the first Gulf war as they watch the CNN coverage of bombed Baghdad and excitedly recognize their old home there, through his feature-length documentary "No. 17," in which he insists on trying to identify the unknown victim of a terrorist attack. David does not hesitate to take a stand and construct a new reality rather than merely document the existing situation. His most recent fiction work, the TV mini-series, "Melanoma My Love," is the poignant and revealing portrait of a man who loses his wife to cancer-ostensibly just a well-made drama, but actually a penetrating documentary epic, based on the leading actor's true-life story.
David's latest documentary fim "The Ulpan" ("A Hebrew lesson") is a delightful if thought-provoking look at the problems of several immigrant students in a Hebrew language ulpan, where their personal stories meld with the complexities of Israeli reality. The immense effort of learning a new language is revealed through their encounter with a strange culture and an unfamiliar environment. Ofek's film reveals Israeli society through the foreigner’s eyes.
A winner of many international awards, David Ofek's excellence lies in his deeply serious outlook and his constant search for new fields of expression. His proactive attitude to his work and to life is exemplified by his statement: "My film takes the active approach. If a filmmaker can make a difference, so can the individual. If Pnina Firestone (one of the film's protagonists), bedridden with arthritis, can still demonstrate for peace, so can the ordinary citizen. You have to care, or the next blast will happen sooner than you think."
Starting August 2007 Ofek will enjoy a year at Harvard University as part of the prestigious Nyman program.
In August 2007, Ofek will embark on a year’s studies at Harvard University as part of the prestigious Nyman program.
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Filmography & Awards
| 2006 |
Director of documentary "A Hebrew Lesson" (Ha'Ulpan)
Best Documentary Director, The Wolgin Competition, The Jerusalem International Film Festival, 2006
Offical Selection, The International Film Festival, Rotterdam, The Netherlands 2007
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| 2005 |
Director and scriptwriter of TV mini-series "Melanoma My Love"
Best TV Drama- The Israeli Oscar
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| 2003 |
Director of documentary "No. 17" (76 min, Beta)
Best Film - DocAviv (Tel Aviv International Documentary Film Festival)
Best Documentary - Israeli Academy Awards
Special Jury Award - Hot Docs International Film Festival 2004
International Press Award - Chicago Documentary Film Festival
Best Documentary - Syracuse International Film Festival
Participated in over 90 international festivals, including the Amsterdam Documentary Festival (IDFA), new directors/new films - New York and "Input" |
| 2002 |
Director and scriptwriter of debut feature film "The Barbecue People"
Silver Ombú for Best Screenplay - Mar del Plata Film Festival, Argentina
Best Dramatic Film - Dahlonega Film Festival, Atlanta
Best Film - Washington Independent Film Festival
Participated in over 25 international festivals, including Sao-Paulo, Istanbul and Hamburg |
| 2000 |
Creator of series "Take-Away" for Israeli cable TV and director of four episodes
Nominated for Best Series - Israeli Academy Awards |
| 1999 |
Director of documentary "5 Love Stories"
Best Film - Doc-Aviv 2000
Best Documentary - Israeli Film Festival, US
Participated in documentary festivals in Taiwan and Greece
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| 1995-7 |
Director of 1st and 2nd seasons of "Bat-Yam New York"
Best Television Drama - Israeli Academy Awards
Participated in "Input" Festival, Mexico
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| 1994 |
Student director of graduation project film "Home"
Volgin Prize for Best Short Film - Jerusalem Film Festival
First Prize in Short Film Competition - Edinburgh International Festival
First Prize - Oberhausen Festival, Germany
Best Israeli Film - International Students' Festival, Tel Aviv
First Prize - Israeli Film Festival, US
Judges' Award - San Francisco Festival
Participated in 50 festivals including New York and London |
| 1992 |
Student director of third-year project film "Hi-teq Dreams"
Volgin Prize for Best Short Film - Jerusalem Festival 1993
Israeli Cinema Institute Prize for a Documentary, 1993
Prize for best documentary at the school graduation
Participated in the London Festival |
IcExcellence is supporting David in tailor-made artistic programs, and providing special career advancement consulting.
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| Reviews |
"This movie oozes love and compassion. …the teacher, students, workers, and policemen – share a type of all-embracing human brotherhood….It is not an artistic, sophisticated, prettified representation - but an analysis of humanity itself. Is there anything better to say about a documentary film?"
Yon Feder, Ynet, December 2006
"Hebrew Lesson is a humorous, smart and exciting mosaic of a mixture of immigrants of various nationalities and their teacher. It is a film that gets under the skin of its participants as well as that of the audience. One of those whose characters won't let you go even days after having seen it - and actually you don't want them to leave"...
International Film Festival of Rotterdam
website
"I have been following Ofek ever since he developed his own unique style combining documentary and feature film. Ofek's humane and compassionate filmmaking, which glorifies the love of man, is unquestionably singular and has a tremendous impact on his fellow moviemakers. I view Ofek as one of the most compelling, pioneering and authentic of all the filmmakers currently working in Israel."
Renen Schorr, Founding Director, The Sam Spiegel Film and Television School
"...clear, well-defined cinematic vision, David Ofek's talent and spirit are what make "No. 17" such a unique creation...the movie bears witness once again to Ofek's centrality to the contemporary Israel filmmaking reality."
Uri Klein, Haaretz
"This time there really doesn't seem to be any choice: the story of "No.17" is about the very essence of being Israeli. What does that mean? That after you get over being excited about understanding that the art in the subject creates the reality rather than imitating it, a moving panoramic picture is laid out, reviving the old newspaper headlines.... [David is] a storyteller of the highest rank. In this film it is evident in his balanced, hidden presence as the creative figure inside his creation: on one hand dictating the plot and exercising full control over it, on the other hand clearing the stage completely, while wisely employing an ever-so-ironic tone, for the true characters who occupy it to the end. ...an excellent cinematic detective story. ...a fascinating documentary project."
Roy Volman, Walla
"One of the greatest documentary films ever made in Israel."
Miri Hanoch, Third Ear Catalogue
"Television series are not supposed to age like wine. They aren't meant to get better over the years. 'Bat Yam-New York' is a series that is still surprising today, for the sensitive, loving way it sketches the portrait of an Israeli family. No series has ever succeeded into sketching such an authentic and warm local portrait - except for maybe one other. I refer to 'Takeaway'... and it's probably no coincidence that it was made by the same person."
Orna Landau, Yedioth Ahronoth
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